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The mystic feminine :: Project Otenga, Ahmedabad

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The mystic feminine

06:00 PM

Project Otenga
Ahmedabad University, Office Campus, Commerce Six Crossroads, Ahmedabad, India 380009

Contributions (entry fee) for the performance at Project Otenga: Rs. 300

2018-10-07 18:00:00 2018-10-07 00:00:00 Asia/Kolkata The mystic feminine

Vithu Mazha – Shruthi Vishwanath presents known and unknown poems of the women warikari poets.

The Mystic Feminine

An exploration of the feminine in mystic poetry through text and song.
The feminine voice in the mystic has traditionally been less known, because of deep rooted patriarchy in our societies. Despite that, women (and men) have written mystic songs that have endured the test of time. How do women’s voices come through, and some men? And what does it reflect on society then and now?

The Warikari tradition is a 13th century, spiritual Bhakti tradition that recognises male and female saint-poets, spanning a period of over 500 years. The founding saints of this tradition claimed back the space of spirituality as an inclusive one for everybody, at a time when the scriptures were known to only the upper castes. The warikari tradition spoke of a oneness of being, non-duality, and did it all in Marathi. The poems they sang were inspired by the ‘ovi’ metre, a traditional folk metre that women sang in while grinding grain.

While the warikari tradition is a living one, the poetry of the women saints has been ignored over the years. The poems are heart-wrenchingly relevant to our present rhetoric. The challenge to a singular idea of what a devotional practice should be like, or who should be entitled to its privilege is a debate that is alive in India today.

Inspired by the translations of Dr. Jacqui Daukes, Shruthi set out to compose and record these poems, using both traditional musical idioms of the abhang, and going beyond. The composition work is currently being supported by the India Foundation for the Arts, under the Arts Practice program.

The Artist:
Shruthi Vishwanath is a musician, composer and educator. Trained extensively in Carnatic music, her quest for a music that was more true to her led her to the works of Kabir, and the mystic poets. She now explores the intersections of classical and folk, intellectual and visceral by singing the works of poets from across the subcontinent in different forms of music.

Her interpretations of abhangs have resulted in several new revivals of unknown works, especially of women saints. Shruthi has performed at venues and festivals across India and abroad. Some key performances include the Kabir Festival of Mumbai, Malwa Kabir Yatra, NCPA, India Habitat Centre, an IFA showcase series in Singapore, and at Raga Forum for Indian Music Vienna
Roselle tea and bitings will be served complimentary during the event.

Source: Facebook

Project Otenga
Ahmedabad University, Office Campus, Commerce Six Crossroads, Ahmedabad, India 380009

Creativeyatra.com info@creativeyatra.com

Vithu Mazha – Shruthi Vishwanath presents known and unknown poems of the women warikari poets.

The Mystic Feminine

An exploration of the feminine in mystic poetry through text and song.
The feminine voice in the mystic has traditionally been less known, because of deep rooted patriarchy in our societies. Despite that, women (and men) have written mystic songs that have endured the test of time. How do women’s voices come through, and some men? And what does it reflect on society then and now?

The Warikari tradition is a 13th century, spiritual Bhakti tradition that recognises male and female saint-poets, spanning a period of over 500 years. The founding saints of this tradition claimed back the space of spirituality as an inclusive one for everybody, at a time when the scriptures were known to only the upper castes. The warikari tradition spoke of a oneness of being, non-duality, and did it all in Marathi. The poems they sang were inspired by the ‘ovi’ metre, a traditional folk metre that women sang in while grinding grain.

While the warikari tradition is a living one, the poetry of the women saints has been ignored over the years. The poems are heart-wrenchingly relevant to our present rhetoric. The challenge to a singular idea of what a devotional practice should be like, or who should be entitled to its privilege is a debate that is alive in India today.

Inspired by the translations of Dr. Jacqui Daukes, Shruthi set out to compose and record these poems, using both traditional musical idioms of the abhang, and going beyond. The composition work is currently being supported by the India Foundation for the Arts, under the Arts Practice program.

The Artist:
Shruthi Vishwanath is a musician, composer and educator. Trained extensively in Carnatic music, her quest for a music that was more true to her led her to the works of Kabir, and the mystic poets. She now explores the intersections of classical and folk, intellectual and visceral by singing the works of poets from across the subcontinent in different forms of music.

Her interpretations of abhangs have resulted in several new revivals of unknown works, especially of women saints. Shruthi has performed at venues and festivals across India and abroad. Some key performances include the Kabir Festival of Mumbai, Malwa Kabir Yatra, NCPA, India Habitat Centre, an IFA showcase series in Singapore, and at Raga Forum for Indian Music Vienna
Roselle tea and bitings will be served complimentary during the event.

Source: Facebook




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Upcoming Events

Vijali - The Musical Ahmedabad

Adaptation & Dialogues: Raam Mori

Director: Abhinay Banker

Producer: Abhinay Banker

Script Conception: Devaki

Cast:

Aditya Gadhvi, Mayur Chauhan aka Michael, Sohni Bhatt, Riddhi Yadav, Priti Bhatt, Aniket Parmar, Anuja Purohit, Jay Odedra, Aman Kothari, Chaitali Tapkire, Suryanshi Shah, Jaydev Bhanushali, and Bhargav Purohit.

Crew:

Music: Hardik Dave, Bhargav Purohit

Background Score: Mehul Surti

Musicians: Shashank Acharya, Kamlesh Chauhan, Jigar Shah, Kirtan Gharekhan, Parth Somani.

Lyrics: Raam Mori, Bhargav Purohit, Zaverchand Meghani, Amir Khusro

Choreography: Mansi Modi

Costume Design: Aditi Desai, Pauravi Joshi

Lighting Design: Harish Upadhyay

Light operator: Piyush Goyal

Executive Producer: Sandip Raval

Assistant director: Jaydev Bhanushali

Music Operation: Jaya Khurana

Production Management: Lakhan Khunti, Aman Kothari, Digvijay

2024-02-10 21:30:00 2024-02-10 00:00:00 Asia/Kolkata Vijali - The Musical Ahmedabad

Adaptation & Dialogues: Raam Mori

Director: Abhinay Banker

Producer: Abhinay Banker

Script Conception: Devaki

Cast:

Aditya Gadhvi, Mayur Chauhan aka Michael, Sohni Bhatt, Riddhi Yadav, Priti Bhatt, Aniket Parmar, Anuja Purohit, Jay Odedra, Aman Kothari, Chaitali Tapkire, Suryanshi Shah, Jaydev Bhanushali, and Bhargav Purohit.

Crew:

Music: Hardik Dave, Bhargav Purohit

Background Score: Mehul Surti

Musicians: Shashank Acharya, Kamlesh Chauhan, Jigar Shah, Kirtan Gharekhan, Parth Somani.

Lyrics: Raam Mori, Bhargav Purohit, Zaverchand Meghani, Amir Khusro

Choreography: Mansi Modi

Costume Design: Aditi Desai, Pauravi Joshi

Lighting Design: Harish Upadhyay

Light operator: Piyush Goyal

Executive Producer: Sandip Raval

Assistant director: Jaydev Bhanushali

Music Operation: Jaya Khurana

Production Management: Lakhan Khunti, Aman Kothari, Digvijay

HK Hall,
H.K. college, Vishalpur, Ellisbridge, Ahmedabad, Gujarat 380006

Creativeyatra.com info@creativeyatra.com
Same Same But Different

Jahnvi Shrimankar, Kailash Waghmare: She grew up in a large joint family in South Mumbai. He in a family of marginal farmers in Maharashtra’s Jalna district. Her grandmother introduced her to the nuances of Dadra and Dhrupad through the Haveli Sangeet. He taught himself to sing perched on a Neem tree while grazing cattle in the vast open grounds outside his village. From childhood, she was rigorously groomed to be a singer with no room for distractions. His musical influences were diverse; the courtyard outside his home was an open stage for every passing itinerant performer. She found success as a commercial singer but is still looking for her artistic “voice”; he found success as an actor but the music remains his source of creative inspiration.

Two talented performers from different backgrounds, and different life experiences, facing different artistic and social challenges, yet bound together by their love for music, come together to share their life stories with searing honesty, humour and emotion. In telling their stories, they share music from different traditions, such as folk, classical, popular cinema, political, as they sing live, accompanied by a highly skilled band. Same Same but Different is a treat for the mind and the heart!

 

Source: Facebook

2024-02-10 20:30:00 2024-02-10 00:00:00 Asia/Kolkata Same Same But Different

Jahnvi Shrimankar, Kailash Waghmare: She grew up in a large joint family in South Mumbai. He in a family of marginal farmers in Maharashtra’s Jalna district. Her grandmother introduced her to the nuances of Dadra and Dhrupad through the Haveli Sangeet. He taught himself to sing perched on a Neem tree while grazing cattle in the vast open grounds outside his village. From childhood, she was rigorously groomed to be a singer with no room for distractions. His musical influences were diverse; the courtyard outside his home was an open stage for every passing itinerant performer. She found success as a commercial singer but is still looking for her artistic “voice”; he found success as an actor but the music remains his source of creative inspiration.

Two talented performers from different backgrounds, and different life experiences, facing different artistic and social challenges, yet bound together by their love for music, come together to share their life stories with searing honesty, humour and emotion. In telling their stories, they share music from different traditions, such as folk, classical, popular cinema, political, as they sing live, accompanied by a highly skilled band. Same Same but Different is a treat for the mind and the heart!

 

Source: Facebook

Natarani Amphitheatre,
Darpana Academy of Performing Arts, Ashram Road, Usmanpura, Ahmedabad, Gujarat 380013, India

Creativeyatra.com info@creativeyatra.com
Gujarat Vishwakosh Trust - Rag ...

Gujarat Vishwakosh Trust

Shri Yashwant Doshi – Lecture-Series

We cordially invite you to an evening of Bhairavi (Rabindra Sangeet, Sitar & Sarod recital in Raga Bhairavi)

Rabindra Sangeet : Smt. Sucheta Roy & Shefali Nayan
Sitar: Smt. Sugna Shah, Sarod: Sohan Neelkanth, Tabla: Shri Hemant Joshi

2024-02-10 17:30:00 2024-02-10 00:00:00 Asia/Kolkata Gujarat Vishwakosh Trust - Rag ...

Gujarat Vishwakosh Trust

Shri Yashwant Doshi – Lecture-Series

We cordially invite you to an evening of Bhairavi (Rabindra Sangeet, Sitar & Sarod recital in Raga Bhairavi)

Rabindra Sangeet : Smt. Sucheta Roy & Shefali Nayan
Sitar: Smt. Sugna Shah, Sarod: Sohan Neelkanth, Tabla: Shri Hemant Joshi

Gujarat Vishwakosh Trust,
Vishwa Kosh Marg, next to Ramesh Park, Bank Of India Staff Society, Shanti Nagar, Usmanpura, Ahmedabad, Gujarat 380013

Creativeyatra.com info@creativeyatra.com
Special Mobile Literacy Progra ...

In today’s age, when it has become impossible to live without the use of mobile phone, then it is equally necessary to know the amazing powers of this machine called mobile. For, we have come up with this special program.

 

Source: Facebook

2024-02-10 09:30:00 2024-02-10 00:00:00 Asia/Kolkata Special Mobile Literacy Progra ...

In today’s age, when it has become impossible to live without the use of mobile phone, then it is equally necessary to know the amazing powers of this machine called mobile. For, we have come up with this special program.

 

Source: Facebook

Ahmedabad Management Association,
1, Dr Vikram Sarabhai Marg, University Area, Ahmedabad, Gujarat 380009

Creativeyatra.com info@creativeyatra.com

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