Kalsparsh – A Play

Two Shows: 7:30 and 9:00 shows

Scrapyard-The Theatre,
23, Gujarat society, Near Red Cross Blood Bank, Paldi, Ahmedabad

With Tickets – 50/-

2019-12-06 05:30:00 2019-12-06 05:30:00 Asia/Kolkata Kalsparsh - A Play

Kalsparsh

 

Artist’s job is to reveal the truth but what if he is ashamed of it?

Experimental work in kathak explore the current scenario of India in a classical setting.

Artist’s job is to reveal the truth but what if he is ashamed of it?

Experimental work in kathak explores the current scenario of India in a classical setting.

Two Shows:

7:30 and 9:00 shows

A 45 min. recital starts with invocation by Panchkanya Shloka. Panchkanya (ahalya, draupadi, kunti, Tara, mandodari) who were wronged in their stories but now remembered. Recital then moves into exploration of movements in classical format, depiction bondage, suffocation, fear and shock. This leads to a Durga Paran which boasts of feminine power.

And just like a classical kathak repertoire, this recital ends with Abhinaya. A tulsidas bhajan. But here bhajan doesn’t end as the musch awaited savior is nowhere to be seen.

A 45 min. recital starts with invocation by Panchkanya Shloka. Panchkanya (ahalya, draupadi, kunti, Tara, mandodari) who were wronged in their stories but now remembered. Recital then moves into an exploration of movements in classical format, depiction bondage, suffocation, fear and shock. This leads to a Durga Paran which boasts of feminine power.

And just like a classical kathak repertoire, this recital ends with Abhinaya. A Tulsidas bhajan. But here bhajan doesn’t end as the much-awaited savior is nowhere to be seen.

 

 

Scrapyard-The Theatre,
23, Gujarat society, Near Red Cross Blood Bank, Paldi, Ahmedabad

Creativeyatra.com info@creativeyatra.com

Kalsparsh

 

Artist’s job is to reveal the truth but what if he is ashamed of it?

Experimental work in kathak explore the current scenario of India in a classical setting.

Artist’s job is to reveal the truth but what if he is ashamed of it?

Experimental work in kathak explores the current scenario of India in a classical setting.

Two Shows:

7:30 and 9:00 shows

A 45 min. recital starts with invocation by Panchkanya Shloka. Panchkanya (ahalya, draupadi, kunti, Tara, mandodari) who were wronged in their stories but now remembered. Recital then moves into exploration of movements in classical format, depiction bondage, suffocation, fear and shock. This leads to a Durga Paran which boasts of feminine power.

And just like a classical kathak repertoire, this recital ends with Abhinaya. A tulsidas bhajan. But here bhajan doesn’t end as the musch awaited savior is nowhere to be seen.

A 45 min. recital starts with invocation by Panchkanya Shloka. Panchkanya (ahalya, draupadi, kunti, Tara, mandodari) who were wronged in their stories but now remembered. Recital then moves into an exploration of movements in classical format, depiction bondage, suffocation, fear and shock. This leads to a Durga Paran which boasts of feminine power.

And just like a classical kathak repertoire, this recital ends with Abhinaya. A Tulsidas bhajan. But here bhajan doesn’t end as the much-awaited savior is nowhere to be seen.

 

 




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