Having released in the backdrop of some suspicion from both right and left wings, partly  attributable perhaps to the recent track record of utterances of its makers the Balaji Motion Pictures and its key stake holders, the film The Sabarmati Report has harbored no twists. Rather creditably, it serves a straight narrative of depicting the conspiracy that was hatched on the previous night by a section of motivated Muslims from Godhra to burn a bogey or two of the train The Sabarmati Express. The motivation: to take on the participating kar-sevaks of Maha Ahuti Yajna that the train was bringing back from Ayodhya to Gujarat on that fateful morning of February 27, 2002. The original plan was to hit the train in wee hours, that being its real arrival time at Godhra. However, the train arrived late and the incident was ‘executed’ at about 8 am in the garb of provocation, according to newspaper reports, witnesses and Enquiry Commission reports. At a secondary level, the film is a castigation of the English electronic media and its deep rooted prejudices against the Hindi or vernacular journalists – more so of a particular channel and its particular “celebrity” reporters and its hi…