Baccarat Online

https://smkn36jakarta.com/

Photography and Heritage Walks

https://pathofscience.org/files/journals/1/articles/1872/submission/original/1872-4111-1-SM.html

https://www.realidadeconomica.umich.mx/claro/courses/BOCORANRTP/document/

https://www.ife-kphgraz.at/claroline/courses/BOCORANRTP/document/

http://nrri-docker.d.umn.edu:20003/uploads/user/2022-12-15-024520.489327fp1.html

https://dados.ufmg.br/uploads/user/2022-12-15-033602.009242fp1.html

http://kilimodata.org/uploads/user/2022-12-14-042302.770650fp1.html

https://datos.ine.gob.gt/uploads/user/2022-12-14-032836.445622fp1.html

https://catalog.moe.go.th/uploads/user/2022-12-13-052202.903498fp1.html

http://journal.ussh.vnu.edu.vn/files/journals/2/articles/1907/submission/original/1907-2094-1-SM.html

https://www.econa.org.ua/files/journals/1/articles/2727/submission/original/2727-6565658753-1-SM.html

https://cursos.scb.org.br/app/upload/users/6/696/my_files/dek.html

https://chamilo.sccd-sk.org/app/upload/users/2/252/my_files/dek.html

https://www.elaraki.ac.ma/ent/app/upload/users/1/10434/my_files/dek.html

https://www.icrodarisoveria.edu.it/chamilo/app/upload/users/1/10270/my_files/dek.html

https://aulavirtual.fedelonjas.org.co/app/upload/users/1/1316/my_files/slot-gacor-hari-ini.html

https://youme-project.eu/platform/app/upload/users/6/6870/my_files/slot-gacor-hari-ini.html

slot gacor deposit 10 ribu

https://escueladerobotica.misiones.gob.ar/aula-ste/courses/INFOSLOT/document/

https://www.homo.gov.co/capacitacion/app/upload/users/1/11410/my_files/linkslotgacor.html

http://ieciudaddeasis.edu.co/aula/main/upload/users/2/2201/my_files/bocoranslotgacor.html

http://lnx.russellonline.it/claroline/courses/INFOSLOT/document/index.html

https://dolphin.pcij.org/uploads/user/2022-12-27-034115.988128link-slot-gacor.html

https://catalog2.gbdi.cloud/uploads/user/2022-12-27-044243.204825link-slot-gacor.html

http://datosabiertos.sagunto.es/uploads/user/2022-12-28-031902.365319link-slot-gacor.html

https://www.openlanc.org/uploads/user/2022-12-28-091931.690083link-slot-gacor.html

https://openark.adaptcentre.ie/ARKEvidence/uploads/user/2022-12-29-030931.957456link-slot-gacor.html

https://census.ke/uploads/user/2022-12-29-053408.817622link-slot-gacor.html

https://datasets.fieldsofview.in/uploads/user/2022-12-30-030526.599836link-slot-gacor.html

http://ckan.onizuka.co.jp/uploads/user/2022-12-30-045322.048595link-slot-gacor.html

Photography and Heritage Walks

07.00 AM - 05.00 PM

Sarkhej Roza, Ahmedabad.

With Tickets – 2000/-

2018-11-25 07:00:00 2018-11-25 17:00:00 Asia/Kolkata Photography and Heritage Walks

Sarkhej Roza is a mosque and tomb complex located in the village of Makarba, 7 km south-west of Ahmedabad in Gujarat state, India.

Although there are many rozas across Gujarat, the Sarkhej Roza is the most revered. Sarkhej was once a prominent centre of Sufi culture in the country, where influential Sufi saint Shaikh Ahmed Ganj Baksh lived. It was on the saint’s suggestion that Sultan Ahmed Shah set up his capital on the banks of the Sabarmati, a few miles away from Sarkhej.

The architecture of the complex is credited to Azam and Muazzam Khan; two Persian brothers who are buried in the tomb near Vasna, Ahmedabad.

The complex was originally spread over 72 acres, surrounded by elaborate gardens on all sides. Over time, human settlements came around it, eating into the gardens and reducing the area to 34 acres.[citation needed]

Shaikh Ahmed Khattu Ganj Bakhsh of Anhilwad Patan, the friend and adviser of Ahmad Shah I, retired to Sarkhej in his later life and died here in 1445. In his honour a tomb, begun in 1445 by Muhammad Shah II, was, in 1451, finished by his son Qutbuddin Ahmad Shah II. The next Sultan Mahmud Begada was fond of the place and expanded the complex greatly. He dug a large Sarkhej lake, surrounded it with cut stone steps, built on its south-west corner a splendid palace, and finally, opposite to the Ganj Baksh’s tomb, raised a mausoleum for himself and his family, where he, his son Muzaffar Shah II and his queen Rajbai are buried.
Entering the covered eastern gateway on the north bank of the Sarkhej lake, the building to the right with a handsome stone pavilion in front of it, is the mausoleum of Shaikh Ahmed Khattu Ganj Bakhsh. This, the largest of its kind in Gujarat, has along its whole length its sides filled with stone trellis work, and inside, round the tomb, has a beautifully cut open metal screen. Across the courtyard on the left are two mausoleums with a connecting porch, the east mausoleum containing the tombs of Mahmud Begada, and of his son Sultan Muzaffar II, and the west, the tomb of Rajabai, Muzaffar’s queen. Beyond the Ganj Bakhsh mausoleum is a courtyard, covering more than an acre of ground, surrounded by cloisters, with a mosque only slightly smaller than the Jama mosque. The want of minarets and the shallowness of its caves rather mar the outside effect. But inside ‘it is the perfection of simple grace unrivaled in India except by the Moti mosque at Agra.’ Looking across the lake the ruined buildings at the south-west corner are Mahmud Begada’s palace and harem. The Sarkhej lake covers 17 acres.

Oblong in shape, it is surrounded by flights of stone steps, and has a most richly decorated supply sluice.

Besides the chief group of remains, the country round is studded with mosques and other old buildings. A little to the south of the lake is a small ugly whitewashed tomb, the burial place of Baba Ali Sher, a saint held in higher respect even than Ganj Bakhsh. Close by are the remains of Fatehwadi or Victory Garden, laid out in 1584 by Abdul Rahim Khan-I-Khana (1583-1590) to mark his defeat of Muzaffar Shah III, the last of the Gujarat Sultanate. In the 17th century Sarkhej was so famous for its indigo that in 1620 the Dutch established a factory in the village.
Like many monuments built during that period, the Sarkhej Roza fused both non-Indian and Indian principles of architecture. While the ringed domes, the profusion of pillars and brackets can be claimed to follow the Islamic west Asian genre (even though they can also be found in Indian architecture itself since much before), much of the ornamentation and motifs have Indian Hindu designs. Most of the buildings do not have arches and depend on pierced stone trellises for stability. In its architecture, Sarkhej Roza is an example of the early Islamic architectural culture of the region, which fused Islamic stylistic influences from Persia with Indian Hindu and Jain features to form a composite Indo-Saracenic architectural style.[4] The mosque, with its courtyard, creates a religious milieu; the royal connection is made through the tombs and palaces; the great tank, platforms and pavilions were used by the common man.
The complex is called “Acropolis of Ahmedabad”, due to 20th century architect Le Corbusier’s comparison of this complex’s design to the Acropolis of Athens.

 

Source : Facebook

Sarkhej Roza, Ahmedabad.

Creativeyatra.com info@creativeyatra.com

Sarkhej Roza is a mosque and tomb complex located in the village of Makarba, 7 km south-west of Ahmedabad in Gujarat state, India.

Although there are many rozas across Gujarat, the Sarkhej Roza is the most revered. Sarkhej was once a prominent centre of Sufi culture in the country, where influential Sufi saint Shaikh Ahmed Ganj Baksh lived. It was on the saint’s suggestion that Sultan Ahmed Shah set up his capital on the banks of the Sabarmati, a few miles away from Sarkhej.

The architecture of the complex is credited to Azam and Muazzam Khan; two Persian brothers who are buried in the tomb near Vasna, Ahmedabad.

The complex was originally spread over 72 acres, surrounded by elaborate gardens on all sides. Over time, human settlements came around it, eating into the gardens and reducing the area to 34 acres.[citation needed]

Shaikh Ahmed Khattu Ganj Bakhsh of Anhilwad Patan, the friend and adviser of Ahmad Shah I, retired to Sarkhej in his later life and died here in 1445. In his honour a tomb, begun in 1445 by Muhammad Shah II, was, in 1451, finished by his son Qutbuddin Ahmad Shah II. The next Sultan Mahmud Begada was fond of the place and expanded the complex greatly. He dug a large Sarkhej lake, surrounded it with cut stone steps, built on its south-west corner a splendid palace, and finally, opposite to the Ganj Baksh’s tomb, raised a mausoleum for himself and his family, where he, his son Muzaffar Shah II and his queen Rajbai are buried.
Entering the covered eastern gateway on the north bank of the Sarkhej lake, the building to the right with a handsome stone pavilion in front of it, is the mausoleum of Shaikh Ahmed Khattu Ganj Bakhsh. This, the largest of its kind in Gujarat, has along its whole length its sides filled with stone trellis work, and inside, round the tomb, has a beautifully cut open metal screen. Across the courtyard on the left are two mausoleums with a connecting porch, the east mausoleum containing the tombs of Mahmud Begada, and of his son Sultan Muzaffar II, and the west, the tomb of Rajabai, Muzaffar’s queen. Beyond the Ganj Bakhsh mausoleum is a courtyard, covering more than an acre of ground, surrounded by cloisters, with a mosque only slightly smaller than the Jama mosque. The want of minarets and the shallowness of its caves rather mar the outside effect. But inside ‘it is the perfection of simple grace unrivaled in India except by the Moti mosque at Agra.’ Looking across the lake the ruined buildings at the south-west corner are Mahmud Begada’s palace and harem. The Sarkhej lake covers 17 acres.

Oblong in shape, it is surrounded by flights of stone steps, and has a most richly decorated supply sluice.

Besides the chief group of remains, the country round is studded with mosques and other old buildings. A little to the south of the lake is a small ugly whitewashed tomb, the burial place of Baba Ali Sher, a saint held in higher respect even than Ganj Bakhsh. Close by are the remains of Fatehwadi or Victory Garden, laid out in 1584 by Abdul Rahim Khan-I-Khana (1583-1590) to mark his defeat of Muzaffar Shah III, the last of the Gujarat Sultanate. In the 17th century Sarkhej was so famous for its indigo that in 1620 the Dutch established a factory in the village.
Like many monuments built during that period, the Sarkhej Roza fused both non-Indian and Indian principles of architecture. While the ringed domes, the profusion of pillars and brackets can be claimed to follow the Islamic west Asian genre (even though they can also be found in Indian architecture itself since much before), much of the ornamentation and motifs have Indian Hindu designs. Most of the buildings do not have arches and depend on pierced stone trellises for stability. In its architecture, Sarkhej Roza is an example of the early Islamic architectural culture of the region, which fused Islamic stylistic influences from Persia with Indian Hindu and Jain features to form a composite Indo-Saracenic architectural style.[4] The mosque, with its courtyard, creates a religious milieu; the royal connection is made through the tombs and palaces; the great tank, platforms and pavilions were used by the common man.
The complex is called “Acropolis of Ahmedabad”, due to 20th century architect Le Corbusier’s comparison of this complex’s design to the Acropolis of Athens.

 

Source : Facebook




promotional


Upcoming Events

Bottom Se Up - Stand Up Comedy ...

This is a new show which Abhineet is touring with. It will be an hour of laughter, lots of stories from his childhood, student years and work life. And some on the spot crowd work!

2024-02-09 19:30:00 2024-02-09 00:00:00 Asia/Kolkata Bottom Se Up - Stand Up Comedy ...

This is a new show which Abhineet is touring with. It will be an hour of laughter, lots of stories from his childhood, student years and work life. And some on the spot crowd work!

Cheese Box Studios,
332, Sunrise Mall, Navya Marg, near Swaminarayan Mandir, Vastrapur, Ahmedabad, Gujarat 380015

Creativeyatra.com info@creativeyatra.com
A Duology

JG Ensemble Presents A Duology

Two stories of love

Blind love……. And the other love for life.

Written and Directed By Bijoy Anand Shivram, this dance – drama deals with two very interesting and thought provoking stories.

 

Source: Facebook

2024-02-09 20:30:00 2024-02-09 00:00:00 Asia/Kolkata A Duology

JG Ensemble Presents A Duology

Two stories of love

Blind love……. And the other love for life.

Written and Directed By Bijoy Anand Shivram, this dance – drama deals with two very interesting and thought provoking stories.

 

Source: Facebook

Natarani Amphitheatre,
Darpana Academy of Performing Arts, Ashram Road, Usmanpura, Ahmedabad, Gujarat 380013, India

Creativeyatra.com info@creativeyatra.com
Vijali - The Musical Ahmedabad

Adaptation & Dialogues: Raam Mori

Director: Abhinay Banker

Producer: Abhinay Banker

Script Conception: Devaki

Cast:

Aditya Gadhvi, Mayur Chauhan aka Michael, Sohni Bhatt, Riddhi Yadav, Priti Bhatt, Aniket Parmar, Anuja Purohit, Jay Odedra, Aman Kothari, Chaitali Tapkire, Suryanshi Shah, Jaydev Bhanushali, and Bhargav Purohit.

Crew:

Music: Hardik Dave, Bhargav Purohit

Background Score: Mehul Surti

Musicians: Shashank Acharya, Kamlesh Chauhan, Jigar Shah, Kirtan Gharekhan, Parth Somani.

Lyrics: Raam Mori, Bhargav Purohit, Zaverchand Meghani, Amir Khusro

Choreography: Mansi Modi

Costume Design: Aditi Desai, Pauravi Joshi

Lighting Design: Harish Upadhyay

Light operator: Piyush Goyal

Executive Producer: Sandip Raval

Assistant director: Jaydev Bhanushali

Music Operation: Jaya Khurana

Production Management: Lakhan Khunti, Aman Kothari, Digvijay

2024-02-10 21:30:00 2024-02-10 00:00:00 Asia/Kolkata Vijali - The Musical Ahmedabad

Adaptation & Dialogues: Raam Mori

Director: Abhinay Banker

Producer: Abhinay Banker

Script Conception: Devaki

Cast:

Aditya Gadhvi, Mayur Chauhan aka Michael, Sohni Bhatt, Riddhi Yadav, Priti Bhatt, Aniket Parmar, Anuja Purohit, Jay Odedra, Aman Kothari, Chaitali Tapkire, Suryanshi Shah, Jaydev Bhanushali, and Bhargav Purohit.

Crew:

Music: Hardik Dave, Bhargav Purohit

Background Score: Mehul Surti

Musicians: Shashank Acharya, Kamlesh Chauhan, Jigar Shah, Kirtan Gharekhan, Parth Somani.

Lyrics: Raam Mori, Bhargav Purohit, Zaverchand Meghani, Amir Khusro

Choreography: Mansi Modi

Costume Design: Aditi Desai, Pauravi Joshi

Lighting Design: Harish Upadhyay

Light operator: Piyush Goyal

Executive Producer: Sandip Raval

Assistant director: Jaydev Bhanushali

Music Operation: Jaya Khurana

Production Management: Lakhan Khunti, Aman Kothari, Digvijay

HK Hall,
H.K. college, Vishalpur, Ellisbridge, Ahmedabad, Gujarat 380006

Creativeyatra.com info@creativeyatra.com
Same Same But Different

Jahnvi Shrimankar, Kailash Waghmare: She grew up in a large joint family in South Mumbai. He in a family of marginal farmers in Maharashtra’s Jalna district. Her grandmother introduced her to the nuances of Dadra and Dhrupad through the Haveli Sangeet. He taught himself to sing perched on a Neem tree while grazing cattle in the vast open grounds outside his village. From childhood, she was rigorously groomed to be a singer with no room for distractions. His musical influences were diverse; the courtyard outside his home was an open stage for every passing itinerant performer. She found success as a commercial singer but is still looking for her artistic “voice”; he found success as an actor but the music remains his source of creative inspiration.

Two talented performers from different backgrounds, and different life experiences, facing different artistic and social challenges, yet bound together by their love for music, come together to share their life stories with searing honesty, humour and emotion. In telling their stories, they share music from different traditions, such as folk, classical, popular cinema, political, as they sing live, accompanied by a highly skilled band. Same Same but Different is a treat for the mind and the heart!

 

Source: Facebook

2024-02-10 20:30:00 2024-02-10 00:00:00 Asia/Kolkata Same Same But Different

Jahnvi Shrimankar, Kailash Waghmare: She grew up in a large joint family in South Mumbai. He in a family of marginal farmers in Maharashtra’s Jalna district. Her grandmother introduced her to the nuances of Dadra and Dhrupad through the Haveli Sangeet. He taught himself to sing perched on a Neem tree while grazing cattle in the vast open grounds outside his village. From childhood, she was rigorously groomed to be a singer with no room for distractions. His musical influences were diverse; the courtyard outside his home was an open stage for every passing itinerant performer. She found success as a commercial singer but is still looking for her artistic “voice”; he found success as an actor but the music remains his source of creative inspiration.

Two talented performers from different backgrounds, and different life experiences, facing different artistic and social challenges, yet bound together by their love for music, come together to share their life stories with searing honesty, humour and emotion. In telling their stories, they share music from different traditions, such as folk, classical, popular cinema, political, as they sing live, accompanied by a highly skilled band. Same Same but Different is a treat for the mind and the heart!

 

Source: Facebook

Natarani Amphitheatre,
Darpana Academy of Performing Arts, Ashram Road, Usmanpura, Ahmedabad, Gujarat 380013, India

Creativeyatra.com info@creativeyatra.com

Yatra Archives

https://creativeyatra.com/wp-content/uploads/2019/08/A-Walk-with-Thambi-illustrated-by-Proiti-Roy-written-by-Lavanya-Karthik-Tulika-Books.jpg How Tulika Books is creating impact in children’s lives through picture books

A children’s book about a boy who feels like a girl. And about a child brought up by grandfathers. These are some of the stories published by Tulika Books, who have been making children’s picture books since 23 years. Little…

https://creativeyatra.com/wp-content/uploads/2021/01/romeo-juliet-1.jpg Of youthful passion and star-crossed lovers on Shakespeare’s birthday

While the Globe is streaming free its second dramatic production Romeo and Juliet, today is 23rd April, the day William Shakespeare (1564-1616) is believed to have been born and died. One would seldom find a more spontaneous and intense expression…

https://creativeyatra.com/wp-content/uploads/2019/10/article-on-renaissance-artists.jpg Leonardo, Michelangelo, Raphael and Donatello—Artists or Teenage Mutant Ninja Turtles characters?

Did you ever wonder where the Teenage Mutant Ninja Turtles’ characters got their names from? Well, your search is complete. Here is a brief introduction of the artists from whom the creators of TMNT took inspiration. Teenage mutant ninja turtles,…

https://creativeyatra.com/wp-content/uploads/2019/05/Dr-Yatin-Desai-Orthopaedic-surgeon.jpg The call of the mountains: orthopaedic Dr Yatin Desai’s advice on trekking

In this piece 64 year old Dr Yatin Desai, shares with CY his inspiring story of how to scale towering mountains with utmost ease and how this life adventure activity can shape human character and health. Chances are high that…