Drawing to Remember: On Finding the Gift of Pause

The elusive illustrator behind “Of Ink and Yellow Memories,” Neelakshi Rathore, talks about drawing as a means to remember, the benefits of keeping a sketchbook, and the inward versus outward worlds of a creative.

Sketch of Mcleodganj, 2015
Sketch of Mcleodganj, 2015

Most people start out drawing by copying things. Or they draw things as they appear before them. But for Neelakshi Rathore, things became really interesting when she began to draw things as she remembered them – when she could see a place that she really enjoyed and not draw it at that point in time, but instead go back and remember it and then draw it. “I try to remember what the place felt like, not so much what it looked like,” she says. And once you’re no longer physically situated in the place that you’re drawing, because you’re drawing it from memory, the possibilities of where you can be situated are multifarious. “You can be up, down, anywhere. Aerial perspective offers the most complete shot, and that’s why I draw aerial so much.”

Of speckled skies, Ahmedabad, 2015
Of speckled skies, Ahmedabad, 2015

Neelakshi’s fascination with the aerial view can be explained by the fact that she’s an urban designer – she’s inherently interested in the larger picture. Because she chooses to draw from memory, her work involves a constant play of choices – should she create accurate portraits of reality or make willful departures from reality? A desire to keep a record of places that have been encountered and inhabited stems perhaps from experiences of growing up as an army kid – as somebody who shifted between a dozen places over a quarter of a century.

Pretty houses, 2014, Neelakshi Rathore
Pretty houses, 2014

She shows me her sketchbook. It’s small enough to fit into my palm – most fittingly called as a palm book. “It’s such a good size, I keep it on me all the time. I scribble, I write, I sketch. I no longer keep different books for different purposes. I don’t keep one sanitised sketchbook for all the ‘good’ sketches.”

Monsoon sky, 2016, Neelakshi Rathore
Monsoon sky, 2016

Many artists stand astride this ambiguous space between drawing reality and drawing from imagination. And art has the uncanny tendency to grow when kindred spirits meet. It was Neelakshi’s interactions with Sumedha Sah – the doodle addict behind the inimitable Umbrella Bar project – that prodded her to draw more, as Sumedha introduced her to the invaluable habit of keeping a ‘palm book’.

Sumedha and Neelakshi (The Snail Mail Project)
An exchange of letters and art between Sumedha and Neelakshi (The Snail Mail Project)

Today, drawing has become for Neelakshi “a gift of pause.” By separating it from her profession, she is able to enjoy it for the personal freedom it lends her. “It’s not something I’m being paid for. I do it because I enjoy it.” Besides drawing, she equally enjoys being part of the urban development sector, in figuring out her role in changing current thinking patterns in planning and design. And the two interests feed each other – “It’s very difficult for me to sketch without portraying the urban backdrop. That to me is very integral. I really enjoy cities and how the form affects life. That is the catalyst to my drawing.”

Aerial Patterns, 2015
Aerial Patterns, 2015

And yet, the act of drawing is a purely personal exploration for her. So much so that she’s oft-too-often felt the urge to dismantle her public Facebook page, stopping herself only in time to weigh the advantages of having one. “The blog helps me maintain a habit of drawing,” she reasons, besides the fact that it enables people to connect with her and her work. “But it remains a personal exploration. If you’re an introvert, you do go through that struggle. You ask yourself, how much of yourself should the other person know?”

Neelakshi’s courage to share her explorations doubtless inspires and moves countless young talents. A preference for bathing memories in yellow light and re-imagining them from the vantage point of a person who is slightly older because of the experience – sometimes by a day, sometimes by years – and capturing these remembered feelings through an involvement with form; lends a particularly striking and original quality to the young artist’s work.



Yatra Archives

https://cda2cd955782bd78b33c48de-mindfulventures.netdna-ssl.com/wp-content/uploads/2017/01/vishwesh-desai-lower-res..jpg Literature and Candy Floss : Gujarat Literature Festival as experienced by teen author Vishwesh Desai

My experience at GLF was a marvelous one. The very fact that such a well-organized event, at such a large scale, was being held at one of my favourite places in my hometown – the sophisticated yet welcoming Kanoria Arts…

https://cda2cd955782bd78b33c48de-mindfulventures.netdna-ssl.com/wp-content/uploads/2016/10/final-instagram.jpg Your Daily Dose of Art: Instagram Accounts you must follow right now

Banksy Banksyis a revolution or should we call him a phenomenon? One of the leading front men of his generation, he has transformed what it means to work in the Public domain.Banksy’sartistic practice is characterized by the perceptive use of…

https://cda2cd955782bd78b33c48de-mindfulventures.netdna-ssl.com/wp-content/uploads/2018/03/Cover2.jpg This Travelling Exhibition on the ‘Death of Architecture’ Provokes You to Demand Better Cities and Places

13 architects from around India raise their voices in critique, mourn the dying city and reminisce about forgotten beauty in this first-of-its-kind exhibition.   When I heard that an exhibition called the ‘Death of Architecture’ was coming to Mumbai, I…

https://cda2cd955782bd78b33c48de-mindfulventures.netdna-ssl.com/wp-content/uploads/2016/06/music-instuments-final-01.jpg 7 Indian Musical Instruments that are on the verge of oblivion

“Hurrian Hymn No.6” is the oldest known written music piece, discovered so far. This origin of this piece dates back to 3400 years back in Bronze Age. It was engraved by Syrians on a clay slab. Even the origins of…